Dolby Atmos is a popular surround sound format, a competitor to mobile phones and speakers. While the biggest change from previous formats is the addition of height channels, Atmos soundtracks will work with a traditional five-speaker-and-subwoofer (5.1) system or as many (or few) speakers as you have., and it’s found in everything from the biggest commercial cinemas to the smallest of home theaters. The “immersive” format is also being used as a new way to experience music from the likes of the to on both
In this explainer I’ll break down how Atmos works, why height speakers andare cool, and everything you’ve ever wanted to know about Dolby Atmos but never bothered to ask.
A few highlights:
- Height channels can create a more immersive sound.
- The best sound will be with a multispeaker setup, but even soundbars with Atmos (like the above) offer a much “bigger” and more enveloping soundstage than stereo bars.
- Ceiling speakers are great, but many companies sell upward-firing speakers that will come close in performance without the need for speaker mounting or installation.
Making sound surround
To understand what makes Atmos different than, say, its direct predecessor, let’s first take a look at how sound is mixed for movies and TV shows.
Everything you hear in a movie, from the music to the voices to the sound effects, all gets mixed into specific “channels.” For simplicity’s sake, we’ll say these channels are, as you look at them in a room, left front (L), center (C), right front (R), right surround (RS) and left surround (LS). Some more complex systems add “surround back” channels. All the low frequency booms and thumps go to the “.1” subwoofer channel. This diagram should help:
So if two actors are speaking on screen, that gets mixed to the center channel. When the music swells during a dramatic moment, that’s usually in the front left and right channels. Zooming and swooping special effects might appear in the surround speakers. To an extent, this same mix of channels also translates to the home. After all, if you have a 5.1 speaker system, you have all those same speakers.
Except… you don’t. Not exactly. Where your speakers are, how powerful they are, and increasingly, how much range each has, varies greatly compared to a decent movie theater.
Atmos, for the most part, doesn’t use channels. Instead, most sounds are treated as “objects.” Instead of assigning a sound to a channel (and by extension, a speaker), Atmos lets filmmakers assign a sound to a place. Not “left surround speaker” but “left rear corner.” Not “pan from left surround speaker to right sound speaker” but “pan smoothly across the rear wall.” Not only does this give greater flexibility, but it improves the experience in the theater and, potentially, at home.
Atmos is an end-to-end change in theater and home audio. The mixing is different, as we’ve discussed, but so is the decoding. At different theaters the number of speakers can vary dramatically, but Atmos will scale with them regardless. Most theaters have many speakers along the walls to ensure everyone gets the same-ish experience. With Atmos those speakers can be individually addressable and a sound designer can pinpoint the exact location in a theater where they want to place a sound. A smoother experience for everyone. This is represented in the image above.
This includes the headline Atmos feature: height. With speakers hanging from the ceiling, sound engineers can now move sounds seamlessly over your head and all around. Done right, it’s not only more convincing than before, but also less obtrusive. It’s more natural, so you’re less likely to notice the special effects and more likely to stay absorbed in the movie. And that’s the point, right?
So what about the home?
Theaters are great and all, but most of us watch more movies at home. Atmos isn’t even just about home theater anymore either, as Dolby has been branching the format out into music. Sony‘s competing , the number of beyond-stereo tracks is only growing.and Amazon Music now offer a small selection of titles that have been remixed in Atmos, and along with
To let mobile users experience both Atmos music and movies, many newer mobile devices have a version of the technology called Dolby Atmos for Headphones. Though those are stereo-only, they’re designed to simulate Atmos effects with any headphones. It’s available for Xbox and PC as well, for $15, via the Dolby Access app.
If you’re listening at home, though, let’s get this out of the way first: Obviously most people aren’t going to install height speakers in their ceiling. That’s fine because there are a growing number of speakers and soundbars that either feature built-in height channels or fit on top of existing models. In the case of a standard tower or bookshelf speaker you can fit a speaker model on top that has a separate, upward-firing driver. These speakers bounce sound off the ceiling to mimic “real” height speakers. I’ve heard quite a few of these and they work surprisingly well. Not as well as real height speakers, of course, but it works and is a far simpler option if you aren’t interested in installing speakers in or near the ceiling.
So yes, if you want to take advantage of true Atmos surround you’ll need new hardware. But Dolby Digital is still the default for everything, so this isn’t a required upgrade. If you’re not interested in Atmos, your gear will still work. Even if you get a 4K Blu-ray player with dual HDMI outputs to connect to your older receiver, it will still work if it doesn’t have Atmos. It will just play a Dolby Digital or Dolby Digital Plus track.
But if you want height channels, more channels or other benefits of Atmos, then you’ll need a receiver or soundbar that can decode it and a source that provides it. (Those sources include 4K Blu-ray players, some media streamers and some game consoles.) And you’ll need Atmos content, of course, which we’ll discuss in a moment.
To the right, you’ll see a couple of Atmos home setup examples. At the top, specially designed upward-firing speakers. Each is a traditional speaker but also has separate drivers that shoot sound to bounce off the ceiling. These are tuned so the bounced audio sounds correct to your ears. At the bottom, a soundbar designed to do the same.
Atmos also lets you have a greater number of possible speakers. So how many could you have if you really wanted to go nuts? 24… plus 10 height speakers. Yep, 34 speakers if you want. You don’t need to do that, of course. But if you’ve got a bunch of spare speakers and amps laying around and a room that can fit them, go for it.
For Atmos, Dolby uses a slightly different twist to the nomenclature of home systems. Traditionally a “5.1” system has three speakers up front, two on the sides or in back, and a single subwoofer. If you then added two Atmos height speakers, Dolby would describe this system as a “5.1.2” system. If you see “a 7.2.4 home theater” you can deduce that it’s probably got three speakers up front, two on the sides, two in back, two subwoofers and four height speakers.
In addition to the gear, you’ll also need Atmos content. That’s actually pretty easy. If you’re streaming you can find it on Netflix and Vudu. On disc it can be found on 4K and regular Blu-ray discs. It’s even in a .
Chances are if the movie is 4K, it’s also Atmos — though that doesn’t mean it’s in Atmos everywhere you can find that movie. It might be available with Atmos on the 4K Blu-ray, but not on Amazon, for example. Just keep in mind there won’t be compatibility issues. If you buy a movie that features Atmos it will also have an audio track your current gear can play, minus the height channels.
Is it worth upgrading all your gear to take advantage of Atmos? No. It’s cool, but if you’re not a home theater junkie this might be more money than you need to spend if you’re not taking advantage of it. When you’re ready to upgrade anyway, chances are the gear you’re considering will have Atmos. For example, most of our favorite receivers already work with Atmos, as do .
Originally published two years ago. Updated with reference to Atmos Music.